http://www.altheal.org/toxicity/nurse.htm

The Nurse’s Story
Liam Scheff

Jacklyn Herger is a pediatric AIDS nurse who worked at ICC in the early 90s. In 1996 she began the adoption process for two HIV-positive children from ICC through Catholic Home Bureau In 1998, the girls, Elaine, age six, and Liz, age four, came to live with Herger, her husband and five-year-old daughter as a family. A trained nurse, Herger gave AIDS drugs “by the book.” To her shock and amazement, it was only when she stopped giving the drugs that the girls got better.

Liam Scheff: What were the girls like when you first got them?
Jacklyn Herger: The girls had incredible psychological damage from growing up in medical institutions. They were both developmentally delayed, but in different ways. Liz could barely move. She couldn’t talk, play, or even walk; all she’d do was overeat. She was obese. She’d been on AIDS drugs since birth; she was put on AZT and Nevirapine shortly after I got her. Her hipbones were severely damaged because of the drugs; she had to have surgery to lengthen the tendons in her legs. She was also neurologically damaged, one of the side effects of AZT. She’d fall over and not feel it. She couldn’t respond. She wasn’t able to be a child.

Her sister Elaine was the exact opposite. She was intensely hyperactive, and she refused to eat. She’d come to the table, cross her arms, and say “I want my pediasure” – the drink that she lived on She had no connection to eating food. She’d been on AIDS drugs from infancy. She’d had debilitating glandular and ear infections. Elaine also had severe cognitive difficulties. The doctors told us she was born mentally retarded.

LS: How did you manage the situation?
Jacklyn: I gave all my energy to helping the girls heal and grow. We gave them healthy, expensive, organic food and lots of rest and sleep. They had speech and physical therapy, a good private school, tutoring. And lots of love. And we gave them the AIDS meds, by the book. Yet, after a year and a half of trying, there was no change. We were up against a brick wall

I was looking for answers, so I went to a lecture on HIV by Philip Incao, an MD with a background in Holistic Medicine. He talked about problems with the HIV diagnosis, the toxicity of the drugs and their effect on the immune system. What he said made me feel angry and threatened.

I confronted him after the lecture. I said, “I have two HIV positive children in my home right now, and you’re recommending that I take them off the drugs?” He said “Yes” “The drugs are too toxic for children.” He said that he had a better way to treat them and to strengthen their immune systems. He told me to read the book “What If Everything You Thought You Knew About AIDS Was Wrong,” by Christine Maggiore.

I read the book, and I spoke with medical professionals who all advised me that the drugs were harmful. I researched the drugs myself and reached the same conclusion. And for a good number of months, I struggled. I knew that Catholic Home Bureau and ICC wouldn’t support this, even if it was the best thing for the children’s health and survival. I had long consultations with Dr. Incao about what complementary and holistic medications to give the girls to support their immune systems. And after a great deal of research and thought, I took them off the drugs.

It wasn’t a dramatic, overnight change – I think it took their systems a while to clean out. Then, I don’t know how to say it – they became more and more… human. They became physically, psychologically, socially, cognitively – better, stronger. They were able to grow for the first time.

Eileen, who never ate, suddenly could eat me under the table. Her ear infections subsided and eventually disappeared. Her cognitive functions improved dramatically. The psychologist told me she was making incredible strides – past concrete to abstract thinking.

Liz, who’d been obese, began to lose the excess weight. She started to move more. Then, at five years old, she learned to walk. Within six months she was running, playing, laughing, riding a bicycle and jumping on the trampoline. The girls would giggle and dress up and put on plays together – everything normal children do.

The doctors at Nyack hospital, where the girls were seen, suspected I wasn’t giving the drugs, and didn’t approve. They were watching pretty closely. Then in 1999, Liz developed a blistering, peeling rash on her forearm. The doctors wanted to call it shingles (herpes zoster), which is an AIDS-defining disease, but it didn’t fit the clinical criteria, and they wouldn’t run the lab work to get it diagnosed.

What they didn’t tell me was that Nevirapine, the drug Liz had just been taking, caused the same blistering, peeling, potentially fatal rash (Steven Johnson’s Syndrome) that Liz had on her arm. We cared for her and she responded beautifully. She recovered, the skin healed, and the rash never came back.

But then Elaine came down with a glandular infection, and I wondered if I’d done the right thing by taking them off the drugs. And then, as if to answer my question, she got better. We cared for her, and she recovered and healed and was good as new.

Both girls had been on terribly toxic compounds for years. Their systems finally had a break and were becoming stronger. It was like their bodies finally had a chance to discharge toxins they’d accumulated from 6 years of AIDS drugs. They recovered like normal healthy children do from normal childhood illnesses. They continued on the same path of improvement – physical, cognitive and emotional – that they’d shown before the rash and inflammation. And life went on quite well.

But it didn’t. Even though the girls were quite healthy, the doctor claimed that we’d made them sick by not giving them the prescription AIDS drugs. The Agency for Child Services came to our house, unannounced, on a Saturday morning and took the children away.

We went to court for months to get them back. Medical experts from around the country came to testify about the toxicity of the drugs and the validity of alternate treatments. The judge wouldn’t even take their testimony. A psychologist told the judge how devastating it is to a child’s psyche – to be told that we were their family, to live in our home, to call me mom – then, in a moment, to have this wiped clean, never to see us again.

But that didn’t make any difference in light of the fact that I’d stopped giving the drugs, even though the girls were strong and healthy and the drugs are toxic. The judge ruled that the children be put into foster homes where their drug regimen would be enforced. We’ve never seen them again.

LS: You worked at ICC as a nurse, administering AIDS drugs. ICC participates in experimental drug trials. Was that always the case?
Jacklyn: Yes, we were doing trials back then too.

LS: What’s your clinical opinion of the drugs now?
Jacklyn: I was incredibly diligent with every aspect of the girls care while they were still on the drugs, yet they remained ill. They only improved when they stopped taking the drugs. Therefore it’s very clear that the drugs not only weren’t helping the girls, they were making them ill.

Jacklyn Herger did the impossible. She brought two girls, nearly dead from “AIDS” back to life, yet she was punished for her success. Herger’s achievement should be a model for pediatric AIDS treatment centers everywhere. Instead, the AIDS establishment has cruelly punished her. If we punish the innovators in AIDS treatment, then how do we expect to defeat AIDS?

The House That AID$ Built

A staunch warning to critics on Billy Meier’s group’s website :
http://ca.figu.org/About_Billy.html

Uninformed critics and untrustworthy people who feel Billy’s contacts and mission are impossible, discredit and accuse him of being a charlatan or worse, and try to ridicule him. However, generally speaking, they are ill informed on the issues and contexts and, therefore, are in no position to pass any realistic and competent judgement on the mission, the contacts, or Billy’s person. In order to do so in a factual and realistic manner, one has to deal with these matters for many years in a serious, intensive, and honest way to get to know the pertinent and multifaceted information, to study intensely the facts, and to get to know Billy.

In other words, if you’re not part of our cult you have no grounds to judge us.
Sorry, just my uninformed, unqualified opinion ;-)
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Alex Collier interviews :

I like this guy. No evidence of course (I know you skeptics), but who cares ? He’s not selling anything (as far as I can see from these videos), he’s not blaming anyone but all of Humankind including himself, he’s admitting his weaknesses and failures and his message is pretty much clean spiritually and morally. All in all, UFO contactees and NDE experiencers are the prophets of our age.

Good idea, here’s a NDE dude : Howard Storm.

Now he is selling Christianity but who in their right mind would blame him ? His experience is so overwhelming and he is such a sweetheart.
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Note to newbie users : clicking on the youtube logo on the bottom right of the videos will open the video in its original youtube page. From there you can find the next installments of the video series as well as other related videos.

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(edition in progress, I intend to include all links and imbeddings)

Monday, 27 September 2010
Mind Controlled Lolitas: The French Touch

I realize I have not posted anything for months, this was not planned but I believe this has been mainly down to ‘blogger burnout’ which a lot of people get after a while of constant blogging so a long break like this has probably been needed for a while as my number of posts had been steadily dwindling. Thanks for continuing to visit and leaving comments though. I do have more posts in the works and will get them up some time, hopefully in the near future.

In the mean time I have decided to post this article, which has been co-written by a contributor from France, Mathieu Pilars and myself. So special thanks to him for sending me his original which I edited and added some of my own research/images to (enough that we decided to call it a joint article). I do not plan to have contributors as a regular feature of the blog (though I have not ruled out the idea entirely if something substantive comes along) so please do not spend a lot of time writing something and sending it to me as I will probably not publish it.

Anyway, here is the article that covers a fair bit of the French side of things but obviously not all of it, I hope you find it interesting (it is quite long so I might have missed the odd typo/error, just let me know if you come across anything worth fixing):

By Mathieu Pilars and Benjamin Singleton

In this article I will try to expose some quickly-done research about celebrities in France that share mind-control symbolism with their US and UK counterparts.

I will only be covering recent french celebrities, but an extensive search could be done around the first pioneers of the Lolita archetype in France. Everything really starts with Serge Gainsbourg‘s muses: France Gall (in 1965, in her song written by Gainsbourg, called “wax puppet” she tells us: “My records are like a mirror where everybody can see me, I’m everywhere at the same time, broken in a thousand pieces of voice”), Brigitte Bardot, Jane Birkin (daughter of Royal Navy commander/WWII intelligence operative, distant relative of British King and Mason Edward VIII’s mistress), Vanessa Paradis (“Paradise it’s hell” – spoken at the end of the symbolic video for Tandem) or even his own daughter Charlotte (abusing her on a ritual altar in their “Lemon Incest” video)…

France Gall above, on the right after performing and winning at Eurovision with Wax Doll/puppet in 1965, the left image is a promo photo from her Der Computer Nr. 3 single. Serge with Vanessa Paradis below, Serge nicknamed her “Lolycéenne” meaning “Lolita schoolgirl” according to the linked bio.

Serge Gainsbourg and Jane Birkin in a domestic violence/abuse themed shoot, below her ‘lolita go home’ cover with Birkin in handcuffs (from an infamous bondage themed nude photo shoot for Lui magazine).

Birkin and Gainsbourg’s offspring was of course Charlotte (one of whose recent tracks, Master’s Hands, featured in my previous post), here are a couple of screen captures from the ‘Lemon Incest’ video, note the triangular ritual altar-platforms the bed is on, which goes from black to white (duality) and the general cave/underground evokes a Hell-like setting. She was 13 at the time of recording the song.

An extract from a Telegraph interview article for the release of ‘Antichrist’: “She slumps forward in her chair like a marionette whose strings have been cut, and the tips of her long hair brush across her knees. “If he were still here I think I would only work with him,” she says, firmly. Is that because she felt he understood her better than anyone? “Oh, no. No, I don’t think he understood me. I don’t think that was his goal, to get into other people’s personalities, or souls. My experience was that you were not in control: he told you when to smile, when to breathe, and then little accidents would occur and that was what he was looking for. You were like a puppet for him; he pulled the strings. In that sense, he was like a film director.”

Charlotte’s first album, ‘Charlotte For Ever’ was also released under the name ‘Lemon Incest’ internationally (cover of the single above; apparently the song was a play on words for ‘Lemon Zest’ but obviously there is more to it than that, and it is pretty overt), with all the songs written by Serge such as ‘Oh Daddy Oh’ and ‘Don’t forget to forget me’ and probably other suggestive ones I cannot understand as my (Ben) French is very poor.

Serge’s film ‘Charlotte For Ever’, directed by himself, is extremely suggestive and mirrors his own life: “Stan, screenplay writer, had his time of glory in Hollywood. Today, alcoholic with a certain envy for suicide, his only link to life is his daughter, Charlotte.” as he himself ended up dying, arguably a washed up alcoholic. She must have been at the most only 15 years of age when this was filmed, here is a trailer, and directing your own daughter in scenes like this is clearly perverse (unless you buy into the whole naive cliché “oh it’s just how the French do things”).

I began by doing a standard survey of the most well known female singers in France and then launched a Google Images search on each one, sometimes adding “disque” to have only their records’ covers, looking for blatant symbols or references to mind-control or occult symbolism. I was quickly amazed as I am now 40-something and am not following the mainstream pop-culture anymore. I knew their names, but not their current marketing stuff. I was amazed.

We will be covering here: Alizée, Lorie, Ophelie Winter, Jenifer Bartoli, Nolwenn Leroy and Loana. If you’re French and have children, you may well have one of these girls’ posters stuck on the wall of your daughter’s room.

Alizée’s early promo material. Note that in french, a bow-tie is spelled “butterfly knot”.

Let’s begin with Alizée, who started in a reality show aired on M6 (know your enemy, this media group also has another TV channel named W9, M6 reversed). She was then spotted and coached directly by Mylene Farmer and her probable handler Laurent Boutonnat, who I’ll both introduce first:

Mylene Farmer is a popular 80′s – 90′s pop singer who popularized a Gothic/romantic genre, mixing aesthetics from the Marquis de Sade, sex abuse, vampires etc without using too explicitly satanic/occult stuff or whatever (looks like, you know, it’s art). Mylene also became an icon for all the libertine clubs (partner swapping), bondage, fetish or transsexual “scene”. One of her most recent singles, “Sextonic” is also the name of a sex toy she sells online. She is nonetheless a mainstream artist, often seen on TV, and recently invited at Nicolas Sarkozy’s palace for a party given for the coming of Russian President Dmitry Medvedev (who likes her very much, like many Russians where she is popular).

Mylene’s videos have predominantly been made by Laurent Boutonnat, who started his career at just 17 with a film called “Ballade de la Féconductrice”, triple word-play around the words “fée” (fairy), “féconder” (fertilize) and “conductrice” (electrical conductor). The film begins with the fairy electrifying a boy in his bath, then follows emasculation, rape, etc… 
In Mylene’s videos or shows, he frequently uses occult and Nazi-style symbols and themes (the red/black/white motif is relatively common in his work). The main point here is that this guy basically used Mylene to create something, she is his art “thing”, and he has clearly stated this many times.

An image from the first Laurent Boutonnat film – electric shocks, rape, mass extermination, controlling children like puppets; it’s all here in 1979.

Anyway, this promising young man had the privilege to have this same movie shown at the Cannes film festival in 1979, the poster from Cannes is above. In 1984 he launched Mylene’s career with ‘Mum is wrong’ featuring a child-abuse/psychiatric ambiance, starting with a Freud portrait.

‘Sans Contrefaçon’, a song in which she talks about a girl who thinks she is a man, the video’s plot being a “puppet-master” trying to make money with Mylene’s puppet/ventriloquist dummy (like Mylene was to Laurent), which then comes to life (a typical Pinocchio/Golem/etc theme).

But Mylene is not a puppet/kitten archetype anymore, in an occult way, she now looks more like a high priestess.

Image from her ‘Mylenium Tour’, held in 1999, and included a 9 meter-high animated statue of Isis, designed by HR Giger, about which she stated: “I chose Isis because she’s got many faces. I gave birth to a creature which is, for me, the mother of the living nature. She evokes the four elements, and she is the fifth.”
One of her last videos “Degeneration” clearly shows what looks like a mind control Nazi experiment facility. It’s not just a movie set, though: the building where the video was filmed is the psychiatric institute of Prague-Bohnice, where “Beginning from 1937, insulin comas were performed, after the war electric shocks and lobotomy.” I suppose we can call this choice a tribute, or is it just an artistic commitment to detail? The first lyrics can be understood easily “Sexy coma, sexy trauma”.

You could go through all of her videos, but I (Ben) thought a few were worth adding in (I believe Mylene, and some also some others have been brought up in this blog’s comments too). ‘Comme j’ai mal’ (‘How much I suffer’) explicitly references her Monarch programming, as it shows someone who is presumably supposed to be her father abusing a young girl (representing her; her dissociated childhood memories) with various symbolic shots of a doll, insects and such, as Mylene eventually is coccooned and turned into a butterfly:

Fuck Them All has Mylene like a caged bird as well as other pertinent motifs:

And her video for ‘Je te rends ton amour’ (‘I give back your love’) has some very clear Satanic overtones.

In her video for ‘California’ she played a sex-kitten/prostitute in Hollywood (the kitten programming reinforced by the leopard print coat), standard MPD/MK (Mind Kontrol) symbolism as her celebrity/high society personality looks at herself from her car before attending an event; the hooker Mylene is killed, by her pimp/handler who is the same handler as the celebrity “boyfriend” (she kills him at the end of it after altering her clothes to be more like the prostitute).

Her video for ‘My Soul is Slashed’, directed by Luc Besson also has a few interesting themes (God as a business man sitting in a black inverted pyramid chair, Mylene as his angel sent down to Earth to find out what happened to ‘love’, she is soon seduced to the ‘dark’ side, the duality symbolized by her change from a white outfit to black).

You get the picture that a full post could easily be dedicated to Ms Farmer’s “work” as every video is symbolic in one way or another, but that is not the point of this post, let’s get back to Alizée, her successor.

Alizée was only 15 when she started to work with (…to be shaped by, more exactly) these two fellows. The first video (‘Moi…Lolita’) which defines her style for the years to come: a child-like seductive kitten. “Lolita” is of course the one from Nabokov, from which Stanley Kubrick made a movie. The plot of the music video (above): a young girl from the countryside, beaten by her mother goes to town, enters a nightclub, goes trance dancing, the lyrics saying “it’s not my fault if when I give my tongue to the cat (French expression meaning withdrawal when you don’t find the answer to a riddle), I see the others ready to jump over me…”. It’s the “occult/sulfurous” Mylene formula, but in a fresh, virgin-like shape.

Alizée’s second record cover (‘under the heel’ of dissociatively huge shoe, like being shrunk in Alice in Wonderland; the name Alizée seems quite similar to Alice also, she originates from Corsica like Laetitia Casta by the way). The title: my electric currents (shocks). Below is a more recent live performance wearing a dress suggestive of her kitten programming.
Other lyrics evoking the traditional MK blurred personality in her first album can be spotted like Abracadabra: Mon humeur et moi / Changeons de peau à / Chaque fois (Me and my mood / change of skin / each time).

Alizée’s third record (come back after 3 years) “Psychédélices” (Psychedelics / Delicious) cover uses the multiple alters theme: a young collegian, presumably food-addict and a sexy kitten (Alizée is known to love her Louboutin shoes), apparently happy to see her alter-ego surrender to temptation – a butterfly is in the purple lettering. The green/pink/orange traffic lights possibly representing colour coded triggers for the alters (alter ‘stops/waits/starts’).

Alizée is also known to have a giant Tinkerbell tattoo on her back, here filmed on a national TV show.

Now an international brand (particularly in Japan and Mexico as well as France), she’s moving to electronic music, using the hippest Parisian DJs, with a retro pop-art graphical setup. Her last video contains a fair amount of the standard MK symbolism: reflections/multiples of self, lost in an hotel corridor (quickly, at 0:32), and she now appears “grown up” and looks more like a presidential model than the child-woman Lolita she used to be.

To finish with Alizée, there’s an earlier video ‘Fifty-Sixty’ a tribute to Andy Warhol’s muse, Edie Sedgwick, which piles up all the MK’ed models attributes. It’s quite full of various symbols, magic flying Louboutin shoes, butterfly-wings (evoking her Tinkerbell tattoo) in the bathroom (1:40). It also begins with a view of the Chrysler tower in NYC.

Adding to Alizée, there are a few other videos that I (Ben) feel are especially MK symbolic that deserve some attention.
‘Mademoiselle Juliette’ (single cover above, note the gilded/gold bird cage on a chain, pentagram/star shape, dog dehumanization etc), released in 2007 leads you to believe at the start that it is going to be a rehashing of Shakespeare’s Romeo and Juliette, however it soon veers off in a whole other symbolic direction.

After being serenaded by Romeo, her ‘dark side’ (alter; note the Tinkerbell tattoo), wearing a black mask, appears giving her the silence trigger and leads her into a room (note the Tinkerbell statue; Tinkerbell was likely used heavily in her programming hence the massive tattoo on her back, in Monarch mind control Tinkerbell is the never grow up/childlike alter created in Peter Pan programming, very much related to her original Lolita persona) away from Romeo.

The dark masked Alizée leads the other into various scenes such as masked girls staring and standing motionless as if tranced (Alizée dances around them and lifts up one of the girls’ arm and it drops down showing their depicted tranced/dissociative state) and a symbolic duality checkerboard floor room where two girls share a bath in suggestive/symbolic white liquid, the duality emphasized by the girls in black pouring the liquid and the black and white candles on the checkerboard floor.

Note she is led by a black chubby Mickey Mouse-like figure with a white skull and bones on it (within an eye shape), this is in a room where girls dressed in black are sitting around like statues smoking; contrasted with the first room that she enters room where girls in pink are indulging with treats, cake, guitars and such.

The DJ (wearing what looks like a checkerboard or some kind of black/white patterned sweater, naturally) starts spinning his decks playing the music, triggering the tranced girls to dance and enter into a dualistic “dance off” (ones in pink ‘light’ vs ones in black ‘dark’). Which I believe is won by the ‘dark side’ as one of them smacks a pink one in the face and they all fall down and disappear, leaving the dark, masked Alizée alone to remove her mask and walk back out to Romeo (different alter to the one he was just previously with; so all of that was probably symbolizing her switching in her head to another alter).

The last Alizée video I would like to cover quicker than the last is ‘Parler Tout Bas’, released in 2001 produced by Farmer/Boutonnat, the video is directed by Boutonnat also and features mind control symbolism in the form of broken dolls scattered on the mud ground; this broken doll theme is a common motif for child abuse/programming. More specifically a porcelain doll is focused on as well as Alizee as she lies in a bed with her teddy bear and dolls in the pouring rain as the building has no roof (symbolic of no safety/shield from elements/trauma). Most creepy are the girls, representing Alizee (possible alters) wearing porcelain doll masks that follow her around and look over her sitting up a tree (her internal structure?) as she buries her teddy bear before her boyfriend arrives (based on the other imagery in the video, probably her handler/programmer as there is a picture of him by her bed also) and they embrace while the doll-girls look on in the tree.

Some additional images that I put together to add to Alizee.

Note the Monarch butterflies added to the picture in this promo photo.

Alizee with prominent MK slave user Prince Albert of Monaco at the World Music Awards in Monaco.

Speaking of Tinkerbell, the official french voice for her last few Disney adventures is Lorie (often referred to as the “French Britney Spears”), another girl who also started to sing at 15, she was signed by Sony at age 18 – above left is one of her first promotional pictures with a butterfly mask. She married Billy Crawford. After a few years as a romance/ballad singer, like her colleagues, her style took an electro-pop turn (above right), and she now has all the common Illuminati gimmicks in her videos:

In “Je vais vite” video, the universe shown is reminiscent of Luc Besson’s (another post to do about him and his films: Nikita … etc) film ‘The Fifth Element’. Note the fractured infinite mirror scene above also. [Ed: I have a bit on Besson and FE in a Milla Jovovich post I have half finished]

Lorie also was engaged for 3 years to Garou, a renowned Quebec French singer (in french loup-garou means werewolf, which is not his first name or surname), who was cited, among others, by the top-model Karen Mulder (Garou’s previous “official” relationship) as being involved in top-model sex-slave brainwashing the day she tried to tell her story on French television. What she said had been cut, a fan filming the interview in the audience had his tape erased by security staff, but the story was revealed on the web. She claimed that Garou was fully aware that Ophelie Winter was a victim of MK. Click the Karen Mulder link for my post on the matter where I cover Ophelie also.

Ophélie Winter, another model and singer was invited on the talk show, Karen Mulder in her original testimony said she could confirm all she was telling. But Ophélie entered the TV studio only once, angry Karen had left, and made no comment at all and did her interview as if nothing had happened. 
Daughter of a dutch singer and a model, Ophélie, is a big sex-symbol in France, who now has her own “name sign” (a W in a O) like her master Prince, whom she worked with for a year. She is also seen very often in movies, talk-shows, etc. Mrs Winter has also been under arrest during a french inquire about a broad cocaine trafficking network. This fits as MK slaves are known to be used in this kind smuggling activity.

To get back to MK female singers in France, we then have Jenifer Bartoli and Nolwenn Leroy, both coming from the new fish pond for MK female candidates: reality shows.

Jenifer Bartoli, doing “just a cool gesture” on the picture above, was “discovered” in Star Academy, but also was in the other “Graines de Star” (Star Seeds) in 1997, with Alizée. Her third album is called ‘Lunatic’ (crazy/lunacy, has MK connotations) and has a Monarch symbolic butterfly-marked cover (below).

This photo shoot of Bartoli and the serpent is very typical, the same type of snake (yellow Python) Britney Spears and others have danced seductively with in this often repeated in the media psycho-sexual and esoteric scene (serpent: phallus, wisdom/loss of innocence/Garden of Eden/Satan).

Nolwenn Leroy, also came from the Star Academy musical reality show, Jenifer won the first series, Nolwenn the second. 
In the above covers notice the owl, white/black rabbit (more Alice bits follow), cat and swan. On the above left cover note the peacock feather eye symbolism. Also on the above right, she has the cable of the mic around her foot, like a leash. This reminds me of one the best known French lolitas, which I have mentioned already, Vanessa Paradis (whose singing career started to grow at age 14). She’s renowned for the Chanel video commercial where she’s a bird in a cage (notice also the red rope around her ankle like a shackle/leash). Nolwenn also used this ‘caged bird’ theme in her portfolio (a few images down, from her single cover shoot for ‘Nolwenn Ohwo!’).

Nolwenn had the Monarch theme in her second record ‘Histoire Naturelle’ and it’s single of the same name, with the music video showing her as a dead butterfly pinned in a museum box. The lyrics: “I’m a butterfly lost among the lions”, “I like to fly in every direction”, “the would-be Darwins want to undress, to dissect me without any emotion”, “My story is the one about an appearing species”.

In the video, the camera pans across some pinned butterflies in the nature museum setting, making sure to pan across a large Monarch butterfly, then we see her in a cocoon (transforming/metamorphosing into a butterfly, a common mind control motif/imagery used in Monarch programming) you can also see her as a spider (or Shiva’s arms, as you like).

Nolwenn Leroy’s last album is actually named ‘Me and the Cheshire Cat’, in English. As few in France can get this Cheshire reference (we just call it the “Alice in Wonderland Cat”), I suppose this is a way of bridging the language gap for cultural/programming references.
The first video from this record (‘faut-il, faut-il pas’: must I or not?) has a lot less symbols. 
The butterfly is just evoked on a lamp, at the right, at the very start of the song:

The lyrics are all about being controlled: “It’s been a long time I’ve decided to not decide anything”, “Why choose between Cancer or Cholera” , “He’s tempting and attracting me without end”. Another theme is duality with a balance, and two twins (black/white) going up and down as she can’t choose, this theme goes on throughout the video (salt/pepper, apple/cake etc) as she can’t make her mind up choosing between various polar opposites (duality/total confusion). The house is tipped from side to side like it is a dollhouse being shaken.

Here she is at a Paris premiere of the new Alice in Wonderland movie, with a fitting duality dress (black/white stripes; the checkerboard/duality was an extremely prominent symbolism/motif in the Disney/Burton film also) and Cheshire Cat necklace. Nolwenn is very popular in France, by the young and old alike. 


Last one: an earlier 2003 Nolwenn music video for ‘Follow a Star’ (Suivre une étoile). At the start she appears to lay a tarot card on the table, it looks like a version of ‘The Star’ card which obviously fits with the ‘Follow a Star’ theme. An eight pointed star symbol is near-subliminally flashed at numerous times in the video. This symbol, while on the surface appears to represent the sun, it is more specifically the Sumerian/Babylonian star of Inanna/Ishtar (linked to Venus, the Morning Star which represents Lucifer the light bearer in the occult world), at 0:26 over the sun, at 1:40 as ripples in a pool of water, then engraved on a couple of rocks (one pictured below), on the sun’s reflection in the lake 02:51. So you get the picture that this video is reasonably occult in nature as Nolwenn ‘follows the star’ of Ishtar (Venus/Morning Star/Lucifer) before ending up on water (probably due to the card’s use of water).

Another early M6 (in Loft Story, the french version of Big Brother) doll made the news in recent years: Loana Petrucciani, an ex-gogo-dancer who played a provocative “big boobs – no brain” role in reality shows and helped launch the show in France. In 2009 she was found unconscious, beaten in her bathroom. The police found GBL in the house and, after telling them at first that her boyfriend/producer was involved, she later changed the story, telling in the media that she remembered nothing. She has attempted suicide multiple times since then, and has been forcibly taken to psychiatric hospitals on a couple of occasions.
 The first picture below was used in the news when this “accident” occurred, the second is from the video for a cover song of Brigitte Bardot she made.


During her recent troubles she had very limited public activity but in August of this year she was photographed (in probably one of those staged ‘paparazzi’ scenes) doing the usual thing with a serpent that they seem to always get them to do.

The butterfly breastplate/bra thing is from her video ‘Comme Je T’aime’ (above) which features some standard MK symbolism with, the butterfly on Loana and she also is masked in it, the carousel (spinning/dissociation, used in internal structures) and other circus MK related themes (a la Britney Spears’ Circus, they are like circus acts whose lives are constructed around performing for the masses’ ‘entertainment’/distraction/programming through the mass-media’s constant coverage of them).

One more I’d like to add before we finish, who has also used the circus mind-kontrol theme in a video is French R&B singer Shy’m, who is relatively new. I am referring to her most recent video ‘Je Suis Moi’ (I am me) which contains a lot of pertinent symbolism (duality, checkerboards and black/white stripes are a constant) and the lyrics hinting at her confused identity/personality. Shy’m dances on a pedestal like a puppet on a string, as well as with two ‘mimes’ (alters), all wearing black and white duality stripes on one leg. She is spun around on a hypnotic black/white spiral as she is used in the circus knife throwing act (the knife throwing symbolic of trauma, the spiral and spinning symbolizing the dissociation). There is also a kitten programming reference (the woman in the cage where the lion used to be) in there which seems pretty out of place, but is very much in context with the rest of the video if you get the deeper meaning. I am sure some of her other videos also contain similar symbolism (there is certainly a lot of black/white duality in some of the clips I have seen).

By Mathieu Pilars and Benjamin Singleton

The Bourne Identity sur icefilms.info :
http://www.icefilms.info/ip.php?v=3461&

Je viens de faire le rapprochement entre les maux de tête de Jason Bourne et ceux de Vigo Ravel, le protagoniste du Syndrome Copernic.
Jordan Maxwell aime dire que quand un film hollywoodien révèle quelque chose, la réalité est bien plus avancée encore.
Et aussi que Hollywood sert à trois choses : dire ce qu’ils ont fait, ce qu’ils sont entrain de faire et ce qu’ils vont faire.

Have fun.

This basic Wellness Program can be used when suffering from any (chronic) disease as it detoxifies the body and restores the biochemistry of the body, so the body has the tools to repair itself. It can also be used to maintain health and well being.

Key to the Wellness Program is the lemon and olive oil mixture, which detoxifies the body, assists the liver to function properly, and helps to get the ph of the body back to normal in the shortest of time. People who are not well have usually an acid body, which means the ph of the urine is below 7. For optimal health a healthy person’s ph should be between 7.1 and 7.3. When you have cancer, your ph should be 7.5 or above, as than any cancer stops growing, which gives you time to get rid of the cancer. You can buy urine strips to test your urine yourself in SA at Dischem or any good pharmacy.
To make 1 portion of the lemon / olive oil mixture:

1. Soak the lemon for about 10 minutes in water with some vinegar added
2. Cut the lemon in pieces and put it in the blender
3. Add 1 tablespoon of Extra Virgin Olive oil and 1 cup of water
4. Blend
5. If you do not have a blender, soak the lemon as above, grate the lemon and put it in a container, and add the water and the Extra Virgin Olive oil
6. So you are using the WHOLE lemon, the peel, the white, the flesh, the juice and the pips!

When you are sick, you drink 3 portions per day – which means 3 lemons, 3 tablespoons of extra virgin olive oil and 3 cups of water till you are completely symptom free. You can make for 5 days at a time – which means 15 lemons, 15 tablespoons of extra virgin olive oil and 15 cups of water. Keep the mixture in the fridge

Following are the other ingredients you need to take or what to avoid:
Garlic 3 Tablespoons per day: 1 in the morning, 1 in the afternoon, 1 in the evening
Ginger As above
Beetroot 2 large beets or 4 small beets
Brazil nuts Eat 2 per day at least, more if you are sick
Pumpkin seeds At least 1 tablespoon per day
Lemon / olive oil mixture 3 portions per day: 1 in the morning, 1 in the afternoon, 1 in the evening
Multivitamin In SA, a good one to use is the multivitamin from Bioharmony available at Dischem, Clicks and Health shops. In the rest of the world, Dr Mercola (USA), Jon Barron (USA), Patrick Holfordt (UK) and Solgar produce good supplements. Take twice the recommended dosage when very sick
Fruit and vegetables As much as you want, especially what is in season in your country
Eggs When ph is in the normal range, 1 soft boiled egg per day
Chicken or fish Only when your ph is in the normal range, or if you have cancer, when your ph is above 7.5
Exercise, fresh air and sunshine Do some fun exercise like dancing or brisk walking at least 4x per week. Keep your windows open, even at night when it is cold. Spend at least ½ hour per day in the sun. If living in a climate where the sun “disappears” during winter, take at 1 tablespoon of Codliver oil per day
Water 2 liters of water per day. For people with arthritis this is very important. As the acid leaves the joints, you don’t want this acid to form kidney stones
Tea Herbal teas like Green tea or Rooibos tea
Brown rice Only once ph is right
YOU SHOULD NOT HAVE THE FOLLOWING TILL YOU ARE SYMPTOM FREE:

Beverages No “normal” tea, no coffee (instant or bean), no alcohol, no juices (even the “natural” ones or the no sugar added ones), no frizzy or gassy drinks, no diet drinks, no milk or yoghurt
Starches No sugar, no refined foods, no bread, no wheat products, no pasta, no flour, no potatoes, obviously no cakes etc., no diet products
Other food No red meat till you are healthy, and then eat occasionally “green” meat (from cattle raised organically). Stay away from all processed meats including sausages, and also meat from pork like bacon and ham
Artificial sweeteners Do not use any of these. They were designed to kill ants, so if you want to get rid of your ants in your garden or house, just sprinkle artificial sweetener powder and the ants will die
Fried Food Heating oil and frying food make the food and the oil toxic. Avoid especially when sick

This Basic Wellness Program works for most chronic diseases like Diabetes, High Blood Pressure, High Cholesterol, Arthritis, AIDS, Asthma, Epilepsy, stomach ulcers etc. It also helps you to loose weight easily, or in the case of AIDS and some cancer patients to pick up the weight – whatever is needed.
Some diseases need extra things either to do or to take:

Diabetes If you really crave sugar, add Chromium (which is a supplement) for a month or so
Epilepsy Add 2 to 3 tablespoons of Hemp oil to your lemon / olive oil mixture every day
Arthritis Do not forget to drink your 2 liters of water per day
Asthma Take extra ginger when you feel short of breath. It works as an anti-inflammatory! Do the following breathing exercise a couple of times per day: Breath out, till all is out (bending even over). Breath in on the count of 8, hold your breath for the count of 8, and breath out again, bending over. Singing songs where you have to use up your air is also a good way to do this exercise

You NEVER stop your medication on your own – this is dangerous and stupid. Have yourself monitored every week by a doctor (or a registered nurse who is allowed to adjust your medication) for insulin, high blood pressure medication and cholesterol medication. You will need less medication as you stay on the program till all medication may be stopped. You can reduce medication like painkillers and anti-inflammatory drugs yourself, but for example cortisone or steroids (often prescribed for arthritis and asthma are drugs you have to be weaned of, depending how long you have been on it. Although you will not need your asthma pump anymore, keep it with you till you know for sure you will not need it anymore. Don’t just throw it out when you have not used it for a week or two.

Once you are well, you can reduce everything to twice per day. Keep on monitoring your ph so it stays in the normal range, and than you can reduce everything to once per day. You will notice that when for example you have eaten many things you should normally avoid, like cakes, puddings and meat, your ph may drop and you may feel sluggish the next day. Just for one or two days take again 3 portions of everything, so you can get all the junk quickly out of your body. Do not see this as a diet but a lifestyle change. The saying “You are what you eat” is so true. You eat junk, you become diseased!

Many people develop shingles when they are sick. To get rid of the pain shingles (herpes) or chickenpox cause mix the following: 1 Tablespoon of Aquas cream, 1 tablespoon of lemon juice and 1 Disprin or Asprin. If the area is big, mix more accordingly. Apply thickly on the affected area with cotton wool (never touch oozing blisters with your bare hands) and only put clothes back on when it has been absorbed. Wear cotton clothes as synthetic material can irritate the skin. Apply again 4 hours later, and again the next day. With chickenpox apply as needed for a couple of days. The pain is usually gone within a couple of hours. When you had shingles and the blisters have disappeared, but the pain is still there, the cream mixture will take a bit longer to work – usually about 24 hours. Avoid peanuts or peanut butter as they can trigger shingles. Go on the Wellness Program as above. The reason you got shingles is because your body is taking strain, just like you can get fever blisters when you have the flu or a cold. The Wellness program will bring your body back to balance.

When you have eaten something that makes you feel nauseas, or causes you to vomit or have diarrhea just take 2 tablespoons of activated charcoal every 2 hours till it has stopped. You can also grind some burned wood or plain charcoal into a powder and take that.

We advise on many other diseases like Lupus, cancers, autism, strokes, heart, emphysema, etc. The basic Wellness Program is than still used but with other things added. You can e-mail me to find out what to add. If there is a big demand for this information, we may also put this on the website.

You can watch our DVD we have made of patients recovering from various diseases over a period of time on www.youtube.com/Alunine

You can contact me at tinevandermaas@gmail.com

May the Spirit that is Love be with you and protect you

Tine

Source :
http://reducetheburden.org/
http://www.youtube.com/Alunine
http://orgoniseafrica.com/blog/?p=23

Through the travail of the ages,
Midst the pomp and toil of war,
I have fought and strove and perished
Countless times upon this star.

In the form of many people
In all panoplies of time
Have I seen the luring vision
Of the Victory Maid, sublime.

I have battled for fresh mammoth,
I have warred for pastures new,
I have listed to the whispers
When the race trek instinct grew.

I have known the call to battle
In each changeless changing shape
From the high souled voice of conscience
To the beastly lust for rape.

I have sinned and I have suffered,
Played the hero and the knave;
Fought for belly, shame, or country,
And for each have found a grave.

I cannot name my battles
For the visions are not clear,
Yet, I see the twisted faces
And I feel the rending spear.

Perhaps I stabbed our Savior
In His sacred helpless side.
Yet, I’ve called His name in blessing
When after times I died.

In the dimness of the shadows
Where we hairy heathens warred,
I can taste in thought the lifeblood;
We used teeth before the sword.

While in later clearer vision
I can sense the coppery sweat,
Feel the pikes grow wet and slippery
When our Phalanx, Cyrus met.

Hear the rattle of the harness
Where the Persian darts bounced clear,
See their chariots wheel in panic
From the Hoplite’s leveled spear.

See the goal grow monthly longer,
Reaching for the walls of Tyre.
Hear the crash of tons of granite,
Smell the quenchless eastern fire.

Still more clearly as a Roman,
Can I see the Legion close,
As our third rank moved in forward
And the short sword found our foes.

Once again I feel the anguish
Of that blistering treeless plain
When the Parthian showered death bolts,
And our discipline was in vain.

I remember all the suffering
Of those arrows in my neck.
Yet, I stabbed a grinning savage
As I died upon my back.

Once again I smell the heat sparks
When my Flemish plate gave way
And the lance ripped through my entrails
As on Crecy’s field I lay.

In the windless, blinding stillness
Of the glittering tropic sea
I can see the bubbles rising
Where we set the captives free.

Midst the spume of half a tempest
I have heard the bulwarks go
When the crashing, point blank round shot
Sent destruction to our foe.

I have fought with gun and cutlass
On the red and slippery deck
With all Hell aflame within me
And a rope around my neck.

And still later as a General
Have I galloped with Murat
When we laughed at death and numbers
Trusting in the Emperor’s Star.

Till at last our star faded,
And we shouted to our doom
Where the sunken road of Ohein
Closed us in it’s quivering gloom.

So but now with Tanks a’clatter
Have I waddled on the foe
Belching death at twenty paces,
By the star shell’s ghastly glow.

So as through a glass, and darkly
The age long strife I see
Where I fought in many guises,
Many names, but always me.

And I see not in my blindness
What the objects were I wrought,
But as God rules o’er our bickerings
It was through His will I fought.

So forever in the future,
Shall I battle as of yore,
Dying to be born a fighter,
But to die again, once more.

“Through a Glass, Darkly”
General George S. Patton, Jr.

Art Bell: Let’s say the government chose me. They were going to use me as an outlet to release this information. Let’s just say they did that and they took me to a briefing. Then what John?

John Lear: They whisk you to Washington, DC, you get limo-ed to this building, beautiful building, you go up into this room. They say, ‘Art, you’re the guy and if you give us the go ahead, we are gonna release everything we know to the public. If you decide to go ahead, all major networks will be provided with information on all aspects of the cover up and no type of information will be withheld. Because of the deal for immunity for all participants of the cover up provides that nothing, no artifacts, no piece of information be withheld.’

So here’s what happened, Art. We’ll use some videos and stills. Our first UFO recoveries were in the late ’30s. We made a couple in the beginning of the ’40s and then came Roswell, which the public found out about. We got 2 live aliens from Roswell. One died shortly there after and one lived till 1956. And we found out so far there are 18 different alien species that we know about monitoring Earth. Some are good and some are hostile, most are indifferent. We found out that we are the experimental product, if you will, of an alien race who we never met and we don’t know who they are. All we know is that the Greys are cybernetic organisms, glorified robots if you will, who work here at the behest of their employers monitoring us through abductions. We were never able to find out what the experiment is all about except that we have been externally corrected about 65 times. And they, the aliens, refer to us as “Containers.” There’s been speculation that the souls our bodies contain is the reason for the experiments. But nothing’s been proven or determined.

Since 1938 we’ve lost over 200 aircraft due to UFO hostilities and thousands of soldiers in all kinds of different actions with aliens. Since that time several hundred thousand civilians have disappeared with no trace. Several thousand of those were eliminated by us because of their chance encounters with the aliens which we could ill afford to have publicized.
A slightly more frightening phenomena known as “human mutilations” have occurred on a regular basis and are similar to “cattle mutilations”. In that the human or humans are taken from the street, so to speak, and returned to the same area about 45 minutes to an hour later with their rectums cored out, their genitals removed, eyes removed from their sockets, and completely drained of blood. In all cases it appeared that the mutilation procedures occurred while the persons were still alive and conscious. One of our scientists speculates that apparently the human specimens had to be alive for the samples to be worth anything. Abductions occur on a daily basis throughout the United States to at least 10% of the population.
When we were first made aware this we protested to the little grey being we had held in captivity at the YY-2 facility in Los Alamos, but a deal was struck that in exchange for advanced technology from the aliens we would allow them to abduct a very small number of persons and we would periodically be given a list of those persons abducted. We got something less than the technology we bargained for and found the abductions exceeded by a million fold than what we had naively agreed to.
In 1954, President Eisenhower met with a representative of another alien species at Muroc Test Center, which is now called Edwards Airforce Base. This alien suggested that they could help us get rid of the Greys but Eisenhower turned down their offer because they offered no technology.

At this point it became apparent to all involved that there was no such thing as a God, at least how the public perceives God. Certainly some form of computer recorder stores information and an occasional miracle is displayed by the aliens to influence a religious event. This so unnerved Eisenhower that he had “In God We Trust” put on paper money and coins and put in the Pledge of Allegiance to reaffirm the public belief in God. Shortly after this it was determined in meetings between the US and the Russians that the situation was serious enough that a cold war should be manufactured as a ruse to divert attention of the public away from UFOs towards some other scary threat like the H-bomb. It was also decided to keep the ruse secret from any elected or appointed officials within both the US and Russian governments as it took so long to vet these officials and the ruse was easier to manage if the top people didn’t know about it.

In the late 1950′s NASA was formed to compartmentalize, containerize, and sanitize information from all space platforms and vehicles. We sold NASA to the public claiming that all information would belong to them but they got very little and even that was highly sanitized.

Our first efforts were to keep the public from learning about Venus. A very similar planet to Earth and it’s population is very similar to us just technologically advanced. We have learned a lot from them starting with the Russian Venera 1 and US Mariner 2, we made Venus look like a lead melting, volcanic surface, spewing sulfuric acid into a pressurized atmosphere 90 times that of Earth. And as often the case we over did it and we wondered why nobody asked how a parachute survived a descent into 800-degree air. We set up operations in Pine Gap, Australia to preclude any prying eyes figuring out what we were up to. We regularly eliminated through extreme prejudice anybody who was part of the operation and made the least little tiny threat about disclosure or dissatisfaction with the operation. Any space mission that included Mercury, Gemini, Apollo, Mariner, Voyager, Clementine, and all the rest. All data initially came transmitted to Pine Gap then it was relayed to JPL or wherever after sanitizing. We had a little trouble with amateur radio operators but we figured out how they could intercept these signals but we managed to deal with that.
When the Russian threat began to fade we introduced Vietnam which kept the public occupied for over ten years. The cover up and personnel to run the operation began to get bigger and bigger and required more and more money. We were forced to inflate the defense budget, which soon not enough. Then we got into the drug business which was still not enough. We were the ones that looted the savings and loan industry and Wall Street to boot. It is so out of control now most people want immunity and want out. But there is so much secrecy and so many double and triple blinds in place that it’s unlikely that this thing can ever be dismantled. And even if you give us the go ahead to spill the beans to the public it’s unlikely they will get anything more than “yes, we recovered a flying saucer and yes, there was an occupant” but that’s all we’re gonna tell ya.

So go ahead and roll the tape for Mr. Bell. What you see here are what human mutilations look like. That one was a male about 27 years old. That one is film of dead aliens being pulled from the wreckage of a craft that crashed in Olancha, California in the ’50s. That craft you see over there was over 250ft. in diameter and had to be buried on the spot. That site is in Utah near Dugway Proving Grounds. The object you’re looking at now is the as the Kecksburg Acorn which was brought to Wright Patt in the middle ’60s. There’s Frank Drake trying to force information out of a being tied down to a stretcher. He was supposedly from Tao Ceti.

These pictures you’re looking at now are structures on the Moon. That’s the tower in Sinus Medii and it’s over seven miles tall. And that thing over there is what we call the Colossus of Oguram(sp) in Mare Crisium. We don’t know what it does but the machine itself is bigger than Brooklyn, New York. Now those are videos of the domes covering the craters. As you can see, some are in a very advanced state of decay.

These are 5 second slides of the 18 different alien species we are looking at. That one there is the most gruesome looking. The guards at one facility are carefully indoctrinated over several months being shown pictures similar to but not exactly like the alien. Only when he’d been acclimatized, so to speak, of the horrible looking beings are they allowed to stand in security positions. Before these acclimatizations were done, we had two guards die of a heart attack as the aliens came down the hallway unexpectedly.
And this last clip is of the Kennedy assassination. You’ve heard of the second gunman theory? Well, this is the second camera that recorded exactly what happened and we had 4 gunmen. And the bottom line was that Kennedy had to go. He insisted on releasing what little alien information we had told him about and he was trying to withdraw troops from Vietnam which we were using as a diversion for the public. After Kennedy we never told any President anything. Nixon knew because he was briefed as VP in 1952. That’s how we knew where to take Jackie Gleason to Homestead Air Force Base to see the alien bodies we had in storage there.

And that’s about it. What say you Art Bell? Do we brief the public? Yay or nay?”

–Special thanks to “Spaceprophet” of Fantastic Forum who provided this transcription.
Here are the web links that John Lear provided in support of his data:

projectredstar.com(1)
Project Grudge/Bluebook 13(2)
rumormillnews.com(3)
vgl.org
keithlaney.com
lunaranomalies.com
astrosurf.com
1. http://www.projectredstar.com/index.php
2. http://www.textfiles.com/ufo/blubk13.ufo
3. http://rumormillnews.com/

I haven’t edited the links above yet.

A promising thread purportedly OPed by John Lear last april on the GLP forums :
http://www.godlikeproductions.com/forum1/message1468214/pg1

Some quotes from it :

“There are about 300 different ‘races’ of ET’s that live inside the sun.”

“I got tired of switching channels to see all the programs I watch so I bought 11 tvs and put ‘em up andnow I can watch them all at once.”

“The earth is more than 20 billion years old and has hosted many, many civilizations.
Every 25,000 years or so thee seems to be a pole shift or disruption that causes the earth to be wiped clean.
I used to call it clenaing out the petri dish but I really don’t know why it happens or if it happens.”

“Q :John, in the interview with Camelot, you said the moon was towed to its current position only 30,000 years ago. Yet, in the other thread you said “The moon was fabricated in the bowels of Jupiter more than 10 billion years ago”.
What was it doing for the other 9,999,970,000 years?

A: It is towed back and forth between Earth and a million other earths in development. The moon is actually 10 billion years old.
It only takes a human civilizaton about 3000 years to develope.”

“Anonymous: You have not answered my questions yet but that is understandable. It is almost impossible to keep up when doing something like this.

So I will throw something out for you, John.

Your ideas about the Moon are closer to the truth than anything I have read or heard about from inside of the mainstream culture.

Many would find such concepts to be weird but as with everything else in this terrestrial 3D existence, the truth is actually stranger than fiction.

Indeed there is some sort of “receiving station” based upon the Moon and which has to do with the recycling of human souls after physical death.

Another thing.. The Moon was placed there by an advanced alien race and is really an artificial satellite. This race is one that is often referred to by those in the know (meaning ETs) as “The Guardians” (that is how it would translate into English) of this Galaxy.

However, our main planetary satellite was in effect hijacked by another race and they are the ones currently mining the surface of the Moon. Most of the beings identified as “Grays” by human experiencers are in fact cyber-genetic or robotic beings being operated by this race, which is primarily reptilian in its genetic structure.

If one were able to penetrate through to the core of the human elite power structure on this planet, one would find terrestrial humans who are in league with this race of beings. This has to do with all of the conspiracy theories having to do with ruling class bloodlines extending all of the way back to Mesopotamia and still in effect today. Also, the “secret space program” is part of this hidden power structure.

Finally, the cleansing that you speak of and which takes place approximately every 12,500 years on this planet (not actually every 25 or 26 thousand years)
has to do with the Guardian Race allowing for a natural cleansing of this planet, in order for a clean slate to be provided. It is then when events having to do with spiritual development will determine if the next “class” of humans will undertake a high road or a relatively low road in their spiritual learning pattern. Whichever path is chosen will then determine which type of alien race makes direct contact for the purposes of education and starting the organized civilization over again.

The best way to think of all of this is that the Earth is like a school and each civilization is but another class of students undertaking spiritual advancement lessons in its classrooms.”"

This material is related to the revelations of an insider.

Badass conspiracy guru is badass :

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2008 project camelot’s interview of john lear :

http://projectcamelot.org/john_lear.html

Part 1 of 4
http://www.youtube.com/watch?v=pj-HzHi3dF0

Part 2 of 4
http://www.youtube.com/watch?v=ks6GC3wJFvc

Part 3 of 4
http://www.youtube.com/watch?v=Ld8aj_v6pcI

Part 4 of 4
http://www.youtube.com/watch?v=QsdVDj4FmK8

More quotes from the GLP thread :

“The German High Command gave us the plutonium we needed for the Japanese bomb and in retun we allowed thousands of Nazi’s in our country under Operation Paperclip.

They infiltrated and took over our country.

Our technology is far, far beyond what you could possible imagine but does not include leaving low earth orbit without ET’s help.

Not to worry; Germany’s Finest is in control.”

“If there was such a thing as a switch that would make every UFO visible in the sky, when you turned it on the sky would be black.”

We seldom listen to radio around here… we just don’t have the time. On Tuesday, August 11, 1998, I received a call from Pete Morgan who told me a relative of the great Patriot Cleon Skouson had been a guest on the Art Bell show. Pete asked me to listen to Art Bell that evening. I told him that, while I admired the work of Cleon Skouson, I had to question Pete’s sanity if he gave Art Bell any credibility whatsoever. Pete insisted that we listen to Art Bell. We did.

Sometime between 10 P.M. and 11 P.M. Arizona time someone called and recommended that Art have “Bill Cooper” as a guest. Bell replied, “never,” and went on to say that “Bill Cooper” had called him years ago yelling and threatening to sue because his name had been mentioned on his show on the air. I like to fell out of my chair. Everyone sitting around the table was dumbfounded.

A few minutes later a man called stating, (paraphrased but accurate) “Hey Art remember the call you said you received from Bill Cooper… well that was me.” Art seemed flustered and said he didn’t remember who it was, but that “Bill Cooper called me AFTER THE SHOW one night ranting and yelling and I don’t like that kind of behavior.”

I have never lived in Las Vegas, have never known anything about an “Art Bell” show in Las Vegas, never called Art Bell in Las Vegas, or anywhere else where he may have been in my entire life. I have been in Las Vegas overnight on several occasions; but I guarantee you that I was NOT listening to radio nor was I calling Art Bell.

We usually spent the evenings when in Las Vegas at the home of John Lear (years ago before I discovered his duplicity) or with my good friend Lou Epton over a delicious dinner at one of the many good restaurants around town, after which, and sometimes late into the night, Annie and I would attend a show or try our hand at some low stake gambling.

The only time I listen to radio is while traveling. I have listened to Art Bell when I had to drive all night to meet a deadline over the last several years. I have also listened to Rush Limbaugh, G. Gordon Liddy, and an old acquaintance from KFI in Los Angeles named Tom Leicus (sp?). I find them all entertaining. They keep me awake while driving.

At about 2:30 one morning during one of these trips, I heard a caller ask Art Bell if he was a Freemason. Bell replied, “Yes, are you a fellow traveler?” The term, “fellow traveler” is used by extreme leftwing Marxist socialists and communists to identify each other.

How many sheople have seen the following Art Bell Logo and didn’t get the message? How many will look now and not see all the hidden symbology that can only come from an “adept” with a very high degree in the ancient Mystery School of Babylon?

Did you notice the hidden messages, “A.L.” and “R.T. Bel”? Can you decipher them? Did you notice that a “capstone” is in place? Did you notice “Bel” is placed above the capstone by the flying arrow? Do you know what that means?

I’ll give you one clue… A.L. is the abbreviation for the Latin which translates “Year of Light” referring to the year 6,000 A.L., (which occurs on or shortly after the year A.D. 2000) when the Illuminati believe Lucifer, Baal, Bel, Satan, the angel of light who was cast out of heaven, will triumph over God and mount the throne in the north. All who say they are “Light Workers” are engaged in the battle against God on Lucifer’s behalf. You solve the rest of the puzzle.

I have long recognized that Art Bell is a shill for the New World Odor. It is confirmed in his book “The Quickening”. In fact that is the entire theme of the book.

Apparently, the night before last, a relative of the renowned Patriot Cleon Skouson was a guest on Bell’s show. He talked about the policy of the United States government to absorb a “first atomic strike” from Russia should one be launched.

I was amazed to hear the comments of Bell and his callers about the information disclosed in the previous nights broadcast. They were aghast that such a policy could exist.

The demonstrated ignorance of Art BULLSHIT Bell and his audience was absolutely amazing. It has never been a secret that we would have to absorb a first atomic strike. All of our “Civil Defense Shelter” projects were cancelled after the 1950s.

Just exactly what did these sheople think would happen in a nation without an active and effective “Civil Defense” plan? If Russia were to launch a “first atomic strike” our civilian population would panic if warned. The population would find absolutely nowhere to go to find shelter. They would block all highways and roads. They would loot and kill each other. Training programs to prepare the civilian population for such an occurrence no longer exist.

Because of these facts it is the official policy of the United States government that they WILL NEVER WARN THE CIVILIAN POPULATION. This policy is in line with the governments stance regarding “population control”.

My observations of the “war games” which were played out while I was a member of the briefing team and Petty Officer of the Watch in the CINCPACFLT Command Center, and in the underground “hard site” at Kunia, Hawaii in the early 70s, were that both nations would be totally destroyed to the extent that I saw no value in these strategic games. There could be no winner in such a war.

By our own admission, and with our best defensive weapons deployed, all major population centers, industrial and military targets would take MULTIPLE hits from the atomic and hydrogen weapons of Russia (Soviet Union). The terrible truth is that we have NO defense and very little retaliatory capability left.

Today the Russians would WIN such a conflict hands down. The Russians (Soviets) have NOT DISARMED but instead have moved their strike capability underground.

We were warned by Anatoliy Golitsyn after his defection to the United States in December of 1961. He outlined the policy and plan of the Soviet Union to fake a split and appear to democratize in order to disarm the west.

Golitsyn was debunked, mainly by James Jesus Angleton the head of Counter Intelligence for the Central Intelligence Agency. Angleton held so much respect and power within and without American intelligence circles that he was successful in convincing those in power to ignore Golitsyn.

Many of us believed that Anatoliy Golitsyn was telling the truth. Because of this I and many other intelligence operatives have always known that James Jesus Angleton was the highest placed Soviet spy in the CIA. The highly placed “Soviet mole” that Angleton appeared to seek but could never find was Angleton himself. What a perfect cover.

Art Bell has a propensity to promote lies, misinform, and intentionally mislead his audience. He redirects their energy into chasing rainbows, aliens, UFOs, bigfoots, cities on Mars, ghosts, voices from hell in a well dug in Siberia, and many other loony toon subjects so that his audience is always lost in woo woo land. His audience is so bombarded with lies that they will never know or address the real enemy or problems that we face.

About 95% of all subjects and guests on his show are frauds, fantasies, fakes, con-artists, and escaped mental patients pedaling bullshit by the barrel. He IS a change agent for the new world order.

Because of all of these facts I took to calling him Art “Bullshit” Bell” while on the air. I also nailed him as a shill for the New World Odor and a socialist in MAJESTYTWELVE on this website.

I know for a fact that Art Bell has repeatedly visited this website. His visits are automatically registered by the statistics program provided by the server.

World government means the complete destruction of the sovereignty of the United States of America and its Constitution. Anyone who supports such a notion is a TRAITOR. Bell ridicules anyone and everyone who attempts to steer his audience in the right direction, identify the REAL enemy, and stir the audience to valid and meaningful action.

The fact that I have “outed” this Marxist/socialist change agent is most probably the reason he told the bold faced lie last night (August 11, 1998) during his broadcast. Art Bell is a Marxist, a Freemason, a shill for the artificial alien threat, a shill for world totalitarian government.

How observant are you? Do you understand the symbolic message in the following Art Bell Logo.

Did you know that the sea (mare or Mary) is a symbol of vast numbers of People, the masses in socialist lingo? Did you notice that the pyramid rises from the sea (People) and dominates the scene as a promise, or savior? Did you know the pyramid missing the “capstone” represents the “Great (unfinished) Work” of the Mystery School of Babylon? Did you know that the “Great Work” represents social engineering (socialism) working toward the apotheosis of the race (perfected god-like “sixth root race”) as promised to Adam and Eve by Satan, and a “New World Order”? Did you notice that the name “Art Bell” straddles the capstone signifying that he is the “Light Worker,” or “Illumined Man,” or “Master Mason,” or “Horus,” or “perfected god-Man” who completes the “Great Work”? Did you notice the “Bright Star” fallen from heaven just above the “capstone”? Do you know what or who it represents? Do you see the “Thousand Points of Light” working in silence “behind the veil” of clouds in the heaven to bring about the necessary changes?

Art Bell’s book “The Quickening” is one of the most blatant, in your face, pieces of new world order propaganda that I have ever seen. It shamelessly advocates the formation of a world totalitarian socialist government.

“Will there be a global government with a benevolent dictator, overseeing global law, global police and a global judiciary in an attempt to make the world cleaner, peaceful and prosperous? If that’s what it takes to achieve these ends, so be it.” — from The Quickening by Art Bell, page 309

Buy it, read it, recognize it for what it is, and then send it back to Art BULLSHIT Bell as an indictment of his TREASON… and don’t hesitate to call his show and tell him exactly what you think of him and his proposed world government.

Art BULLSHIT Bell is successful because he speaks only to and for SHEOPLE. He speaks to and for those who cannot reason, and do not ever think for themselves.

Bell’s audience is in the same category as Rush Limbaugh’s “Ditto Heads”. Can you imagine being proud of being called a “Ditto Head”? If any of these ignorant sheople ever really listened to Art BULLSHIT Bell and if they had the capability to put 2 and 2 together and arrive at 4 instead of 3, they would hang this subversive from the highest Elm tree in the nation.

Art BULLSHIT Bell is a Judas Goat. Follow him and he will lead you to the pens to be sheared and then to the slaughter. That is always the fate of sheep(le).

We have noticed that all the artwork containing Mystery School symbolism has disappeared from Art Bell’s website since we exposed them on this webpage. Some of them now appear on an “Artist’s Canvas” page and are now attributed to listeners who are supposed to have sent them in. Some of them just vanished into thin air… Magic?

On top of all that, I still cannot figure out why Pete Morgan wanted me to listen to him, unless it was Pete who called Art Bell to recommend me as a guest on his program.

William Cooper

http://www.youtube.com/watch?v=n7Fzm1hEiDQ

interview with John Perkins author of “confessions of an economic hit man” :

http://www.youtube.com/watch?v=yTbdnNgqfs8

http://www.youtube.com/watch?v=29GhXsx7-Rs

johnperkins.com

Einstein, Poincaré, Hilbert : débat à propos de la paternité de la théorie de la relativité.

Un débat très intéressant a eu lieu à France-Culture, le samedi 22 janvier 2005, entre Jean-Paul Auffray et Jean Eisenstaedt, sur la paternité de la théorie de la relativité. Son attribution à Albert Einstein est aujourd’hui contestée par les spécialistes soucieux d’objectivité, en dépit de la mythification du personnage et du battage médiatique qui l’entoure.

Il n’est malheureusement plus possible d’écouter l’émission, qui n’est restée en ligne qu’une semaine sur le site de France-Culture, mais on peut lire l’article de Fabien Gruhier paru le 5 août 2004 dans Le Nouvel Observateur, sous le titre “Einstein plagiaire ?”, et la chronique de Claude Allègre parue le 8 novembre 2004 dans L’Express, sous le titre “Lorentz, Poincaré et Einstein”, après la publication du livre de Jean Hladik (voir ci-après).

“Aujourd’hui, il faut se rendre à l’évidence, écrit M. Claude Allègre : Einstein n’a pas inventé la théorie de la relativité (restreinte). Le premier découvreur de cette théorie fut un Français : Henri Poincaré. La physique mondiale sait cela depuis que le Britannique Edmund Whittaker l’a dit, mais peu de scientifiques compétents ont voulu s’assurer de la véracité de ce fait. Personne n’osait s’interroger sur les mérites du génie absolu. La physique moderne avait sacralisé Einstein.”

Faut-il rappeler que le professeur Claude Allègre, docteur ès sciences physiques, a été ministre de l’éducation nationale, de la recherche et de la technologie de 1997 à 2000, et qu’il est membre de l’Académie des sciences depuis 1995 ?

Voici, pour approfondir le sujet, quelques références de livres et d’articles, où il est question, non seulement de la théorie de la relativité restreinte (1905), mais aussi de la théorie de la relativité généralisée (1915) :

• Jean-Paul Auffray, Einstein et Poincaré sur les traces de la relativité, éd. du Pommier, 1999 (prix Gegner de l’Académie des sciences morales et politiques)

• Jean Hladik, Comment le jeune et ambitieux Einstein s’est approprié la relativité restreinte de Poincaré, Ellipses, 2004

• Jules Leveugle, La Relativité, Poincaré et Einstein, Planck, Hilbert. Histoire véridique de la théorie de la relativité, L’Harmattan, 2004 [un abrégé de cet ouvrage est en ligne sur le site personnel de l’auteur]

• Jean-Paul Auffray, Comment je suis devenu Einstein. La véritable histoire de E = mc2, éd. Carnot, 2005

ainsi que :

• Edmund Whittaker, A History of the Theories of Æther and Electricity [“Histoire des théories de l'éther et de l'électricité”] (1ère éd. 1910 ; rééd. t. 1, The Classical Theories [Les théories classiques], 1951, t. 2, The Modern Theories, 1900-1926 [Les théories modernes, 1900-1926], 1953), Thomas Nelson, 1962 et 1961

[L'ouvrage de Sir Edmund Whittaker, mathématicien, astronome et historien des sciences, fait autorité sur la question. Or, il intitule le chapitre 2 du tome 2, qui est paru en 1953 : “The Relativity Theory of Poincaré and Lorentz” [La théorie de la relativité de Poincaré et Lorentz], en précisant, dans le corps du texte (p. 40), qu’en 1905 “Einstein a publié un article qui exposait la théorie de la relativité de Poincaré et Lorentz, avec quelques développements”. On ne pouvait pas être plus clair.]

• Jules Leveugle, “Poincaré et la relativité”, in La Jaune et la Rouge [revue des anciens élèves de l'Ecole polytechnique], avril 1994

[Dans cet article fondateur, qui cite Whittaker, Jules Leveugle va plus loin que celui-ci, car il démontre, pour la première fois, non seulement l'antériorité de Poincaré, mais aussi que l'article d'Einstein ne saurait résulter d'une découverte indépendante et qu'il est donc un plagiat.]

• Christopher Jon Bjerknes, Albert Einstein : The Incorrigible Plagiarist [“Albert Einstein, plagiaire incorrigible”], XTX Inc., DownersGorve, Illinois, E.-U., 2002

[Einstein n'a pas seulement “emprunté” la relativité restreinte à Poincaré et la relativité généralisée à Hilbert, il a procédé selon les mêmes méthodes pour le mouvement brownien, l'équivalence de la masse et de l'énergie, etc. : toute son œuvre est un immense plagiat.]

• Friedwardt Winterberg, « On “Belated Decision in the Hilbert-Einstein Priority Dispute”, published by L. Corry, J. Renn, and J. Stachel » [« A propos de “Décision tardive dans le débat d’antériorité Hilbert-Einstein”, publié par L. Corry, J. Renn, and J. Stachel »], in Zeitschrift für Naturforschung, Vol. 59a, 715-719 (2004).

[Comme le rappelle le professeur Winterberg, “il a été généralement admis que David Hilbert avait élaboré la théorie de la relativité généralisée au moins cinq jours avant Einstein”, jusqu'à la publication de l'article de Corry et alii en 1997. Ces derniers, qui s'étaient reportés aux épreuves de l'article de Hilbert, archivées dans la bibliothèque de Goettingen, ont affirmé que celui-ci s'était, en réalité, inspiré d'Einstein ! F. Winterberg a vérifié. Et il s'est aperçu que le document avait été mutilé (on a découpé un tiers de page avec un canif), pour faire disparaître un passage essentiel. F. Winterberg montre que l'article original de Hilbert comprenait bel et bien l'ensemble de la théorie et qu'Einstein en avait pris connaissance depuis plusieurs semaines, lorsqu'il a publié le sien. Corry et ses coauteurs, qui sont ainsi confondus, admettent aujourd'hui que les équations de Hilbert étaient “correctes”, tout en persistant à dire qu'elles n'étaient pas “explicites”. Il est vrai que l'explicitation en cause se trouvait apparemment dans le passage qui a été caviardé...]

La question est donc aujourd’hui clarifiée pour l’essentiel, notamment après la parution de l’article de Winterberg en 2004 :

- C’est Poincaré, et non Einstein, qui a découvert la théorie de la relativité restreinte en 1905.

- C’est Hilbert, et non Einstein, qui a découvert la théorie de la relativité généralisée en 1915.

- Einstein a plagié Poincaré pour la relativité restreinte. Il a plagié Hilbert pour la relativité généralisée.

- Eisenstaedt et quelques autres seraient de sérieux candidats pour le “prix Lyssenko”, si la désinformation à laquelle ils ont contribué était de nature politique.

(Voir, à ce propos, le commentaire de Polémia, “Centenaire de la relativité : Poincaré génie de la physique, Einstein génie de la com !”.)

L’occultation de Poincaré et de Hilbert et la mythification d’Einstein le plagiaire interpellent la communauté scientifique. La perpétuation de cette imposture, plus de cinquante ans après le livre de Whittaker, qui aurait pourtant dû régler définitivement la question, du moins pour la relativité restreinte, ne peut que susciter un profond malaise et soulever inévitablement une interrogation légitime : le mythe Einstein est-il un cas unique, ou bien y aurait-il d’autres “vérités” apparentes, généralement acceptées, dans le domaine de l’histoire ou de la science, qui seraient, elles aussi, fondées sur le mensonge ?

Même si vous ne connaissez pas grand-chose à la physique, vous avez entendu parler d’Einstein… Nous vous invitons donc à faire circuler le présent document en le diffusant au plus grand nombre de vos correspondants, car le mythe Einstein est un symptôme et une illustration remarquables de la désinformation dont nous sommes trop souvent les victimes.

I’ve been listening to archived Art Bell shows recently – they’re great on a phone. I used to despise and resent Art in the early 2000′s when I was all riled up with ”real researchers” and whatnot. What a discovery it’s been to listen to him again. I feel much tenderness for him now, as well as gratitude and admiration. Sure, he’s not William Cooper. Right, he might even be an evil sellout or a failed patriot. Who cares ? Have you seen the current scenery ? Cooper’s been Dead since 2001, Jones gets all the big shot guests, Beck, Ventura et al sell conspi shows to mainstream TV channels. Oh my God ! The nightmare ! :-)
In this wasteland, Art’s old shows are a balm, a golden bough.

There you go :
www.u7radio.org
coastgab : this Art Bell stream has been terminated.

*
September 2011 update :

William Cooper’s assessment of Art Bell : http://www.hourofthetime.com/artbsbell.htm
It’s such a brilliant piece that I feel compelled to copypaste it in a new post here, for saving purposes.

Listening to these archived shows all day, I’m amazed at how they feel alive compared to my favorite live radios. They’re friggin’ dead, man !
Art Bell is a shill for the new world order but hey, nobody’s perfect.
He’s incredible. God willing I’ll be listening to his shows decades from now.

peer-to-peer links to torrents of archives of art bell shows :
magnet:?xt=urn:btih:7TMZE54D2GPTSOHCB4NHOLYGTCK7QO2G
magnet:?xt=urn:btih:CGG7JQDB24PMD4KDXGADD4CAAYBRFXJ4
magnet:?xt=urn:btih:KTY6OHYIYZEX4NX5QOKFAAYNI7HNNYDF
magnet:?xt=urn:btih:U5SIOTBMB4YDQN2GV3AJK54B6VGFNCEN
magnet:?xt=urn:btih:IEGNC5YIPBBGDYZKVTLOSWOVNPDK4RNP

bonus : open mind with bill jenkins, an 80′s art bell-like show :
magnet:?xt=urn:btih:ZKKHHXPWLB6QP7LBMPGKJAT7FKOWWO3N